Canadian Television Today Download Ebook PDF Epub Online

Author : Bart Beaty
Rebecca Sullivan
Publisher : University of Calgary Press
Release : 2006
Page : 168
Category : Performing Arts
ISBN 13 : 1552382222
Description :


Takes a in-depth look at the formidable challenges facing the Canadian television industry at the dawn of the twenty-first century. The current consensus within the industry alternates between a paternalistic model that promotes national culture and identity, and a laissez-faire approach that calls for a large-scale de regulation of the industry. To better understand why the industry is confronted with this difficult choice, the authors begin by exploring a number of key political decisions that have helped shape the way television is integrated into the Canadian social fabric. First, they consider the complex relationship between the nation, state and culture in the political formation of a sovereign country, and the often delicate balance between culture and polity. Secondly, they look at the impact of multiculturalism and globalization on the regulatory framework and the potential development of international markets and audiences. Thirdly, they examine the nature of the audience and the cultural value of television as a 'mass' medium. Lastly, the technological environment is addressed and the subsequent impact on the cultural value of meaning is considered. From this careful examination, the authors demonstrate that in order for the Canadian television industry to survive it must organise itself around new conceptions of multiculturalism, globalization, and technological determinism. The authors thus contend that the industry must embrace a more heterogeneous model of languages, cultures, and viewing strategies, with the ultimate goal of re-imagining the nation by the revitalisation of one of the principal cultural conduits of national identity.


Author : Marian Bredin
Scott Henderson
Publisher : Wilfrid Laurier Univ. Press
Release : 2012-06-01
Page : 238
Category : Performing Arts
ISBN 13 : 1554583888
Description :


Canadian Television: Text and Context explores the creation and circulation of entertainment television in Canada from the interdisciplinary perspective of television studies. Each chapter connects arguments about particular texts of Canadian television to critical analysis of the wider cultural, social, and economic contexts in which they are created. The book surveys the commercial and technological imperatives of the Canadian television industry, the shifting role of the CBC as Canada’s public broadcaster, the dynamics of Canada’s multicultural and multiracial audiences, and the function of television’s “star system.” Foreword by The Globe and Mail’s television critic, John Doyle.


Author : Horace Newcomb
Publisher : Routledge
Release : 2014-02-03
Page : 2800
Category : Language Arts & Disciplines
ISBN 13 : 1135194793
Description :


The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.


Author : Canada. Task Force on the Implementation of Digital Television
Michael McEwen
Publisher : Le Groupe
Release : 1997
Page : 96
Category : Digital audio broadcasting
ISBN 13 :
Description :


The fact that the technology behind today's television pictures was developed in the 1940s and is still in use is something of a marvel - but it can't last forever. It is about to give way to the next generation. The agent of his change is digitization. The purpose of this report is to provide the Canadian broadcasting industry and Canadian television audiences with the arms and ammunition they need to join the digital revolution. It focuses on using digital, over the air transmitters and digital delivery systems to carry digital pictures to digital television sets.


Author : Zoë Druick
Aspa Kotsopoulos
Publisher : Wilfrid Laurier Univ. Press
Release : 2008-08
Page : 341
Category : Performing Arts
ISBN 13 : 1554580102
Description :


"Programming Reality is a collection of original essays that explore the television programs that have thrived in the Canadian regulatory and cultural context - the programs that straddle, and even blur, the border between reality and fiction. The interdisciplinary articles in Programming Reality: Perspectives on English-Canadian Television - the first anthology dedicated exclusively to the analysis of Canadian television content - combine textual analysis with that of the political economy of media communications."--BOOK JACKET.


Author : Frits Pannekoek
David Taras
Publisher : University of Calgary Press
Release : 2003
Page : 332
Category : History
ISBN 13 : 1552381048
Description :


How Canadians Communicate (vol. 1) is a timely collection that chronicles the extraordinary changes that are shaking the foundations of Canada's cultural and communications industries in the twenty-first century. With essays from some of Canada's foremost media scholars, this book discusses the major trends and developments that have taken place in government policy, corporate strategies, creative communities, and various communication mediums: newspapers, films, cellular and palm technology, the Internet, libraries, TV, music, and book publishing. This volume addresses many issues unique to Canada in a broader framework of global communications. Specifically, it looks at new media communications in Aboriginal communities, the changing role of the state in cultural institutions, the conglomeratization of the media, the threat of American and global communications to Canadian voices, and the struggle to retain and reclaim local and national identities in the face of globalization. With articles from academics and professionals across Canada, How Canadians Communicate, Vol.1 provides the most current perspectives on communication in Canada in a rapidly changing world of technology and global communication.


Author : Jane Lovell
Sam Hitchmough
Publisher : Routledge
Release : 2019-11-25
Page : 206
Category : Business & Economics
ISBN 13 : 042980234X
Description :


This interdisciplinary book addresses the highly relevant debates about authenticity in North America, providing a contemporary re-examination of American culture, tourism and commodification of place. Blending social sciences and humanities research skills, it formulates an examination of the geography of authenticity in North America, and brings together studies of both rurality and urbanity across the country, exposing the many commonalities of these different landscapes. Relph stated that nostalgic places are inauthentic, yet within this work several chapters explore how festivals and visitor attractions, which cultivate place heritage appeal, are authenticated by tourists and communities, creating a shared sense of belonging. In a world of hyperreal simulacra, post-truth and fake news, this book bucks the trend by demonstrating that authenticity can be found everywhere: in a mouthful of food, in a few bars of a Beach Boys song, in a statue of a troll, in a diffuse magical atmosphere, in the weirdness of the ungentrified streets. Written by a range of leading experts, this book offers a contemporary view of American authenticity, tourism, identity and culture. It will be of great interest to upper-level students, researchers and academics in Tourism, Geography, History, Cultural Studies, American Studies and Film Studies.


Author : Christina Baade
James A. Deaville
Publisher : Oxford University Press
Release : 2016-08-02
Page : 304
Category : Music
ISBN 13 : 0190619538
Description :


Music and the Broadcast Experience explores the complex ways in which music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries. It brings into dialogue researchers working in media and music studies; explores and develops crucial points of contact between studies of music in radio and music in television; and investigates the limits, persistence, and extensions of music broadcasting in the Internet era. The book presents a series of case studies that address key moments and concerns in music broadcasting, past and present, written by leading scholars in the field, who hail from both media and music studies. Unified by attentiveness both to musical sound and meaning and to broadcasting structures, practices, audiences, and discourses, the chapters in this collection address the following topics: the role of live orchestral concerts and opera in the early development of radio and their relation to ideologies of musical uplift; the relation between production culture, music, and television genre; the function of music in sponsored radio during the 1930s; the fortunes of musical celebrity and artistic ambition on television; questions of music format and political economy in the development of online radio; and the negotiation of space, community, and participation among audiences, online and offline, in the early twenty-first century. The collection's ultimate aim is to explore the usefulness and limitations of broadcasting as a concept for understanding music and its cultural role, both historically and today.


Author : Peter Robson
Jessica Silbey
Publisher : Bloomsbury Publishing
Release : 2012-08-01
Page : 488
Category : Law
ISBN 13 : 1847319947
Description :


'Law and Justice on the Small Screen' is a wide-ranging collection of essays about law in and on television. In light of the book's innovative taxonomy of the field and its international reach, it will make a novel contribution to the scholarly literature about law and popular culture. Television shows from France, Canada, the United Kingdom, Germany, Spain and the United States are discussed. The essays are organised into three sections: (1) methodological questions regarding the analysis of law and popular culture on television; (2) a focus on genre studies within television programming (including a subsection on reality television), and (3) content analysis of individual television shows with attention to big-picture jurisprudential questions of law's efficacy and the promise of justice. The book's content is organised to make it appropriate for undergraduate and graduate classes in the following areas: media studies, law and culture, socio-legal studies, comparative law, jurisprudence, the law of lawyering, alternative dispute resolution and criminal law. Individual chapters have been contributed by, among others: Taunya Banks, Paul Bergman, Lief Carter, Christine Corcos, Rebecca Johnson, Stefan Machura, Nancy Marder, Michael McCann, Kimberlianne Podlas and Susan Ross, with an Introduction by Peter Robson and Jessica Silbey.


Author : Ira Wagman
Peter Urquhart
Publisher : Lorimer
Release : 2012-09-26
Page : 248
Category : Social Science
ISBN 13 : 9781459402737
Description :


Canada's creative industries encompass book, periodical, and newspaper publishing; radio and television broadcasting; the music industry; video game production; filmmaking and video production; telecommunications; and the new media. These industries represent a major sector in the Canadian economy and exert a profound influence on many aspects of Canadian life. In Cultural Industries.ca, thirteen contributors take a thought-provoking look at the industries that form this important sector and the central issues that are currently under debate. They also discuss how these industries have adapted to the rise of new digital technologies that have radically altered how they engage with their audiences and how they produce and distribute content. Offering a timely analysis and a wealth of current data, Cultural Industries.ca offers a unique portrait of this key sector of the economy.


Author : Paolo Sigismondi
Publisher : Routledge
Release : 2019-07-25
Page : 210
Category : Social Science
ISBN 13 : 1351603701
Description :


This new book offers an insightful guide into the complex tapestry of global entertainment media markets. It features analyses and case studies from leading international media scholars, who explore the causes and effects of globalization upon this ever-evolving industry. There are still opposing and restraining forces to globalization processes taking place in media, and the global mediascape comprises international, regional and local markets, and global and local players, which in recent years have evolved at an uneven pace. By analyzing similarities and differences in a landscape where driving forces of globalization meet locally situated audiences and institutions, this volume unveils a complex, contested space comprising global and local players, whose success is determined by both their national and international dimensions. It guides its readers to the geographical and intellectual exploration of the international media landscape, analyzing the global and local media players and their modus operandi. Editor Paolo Sigismondi’s insightful, engaging collection presents a compelling and novel approach to the analysis of global entertainment media. World Entertainment Media: Global, Regional and Local Perspectives is an ideal starting point for students and practitioners alike looking to build a solid understanding of the global mediascape, and a great resource for instructors and scholars in global media entertainment.


Author : Victoria Kannen
Neil Shyminsky
Publisher : Canadian Scholars’ Press
Release : 2019-08-28
Page : 361
Category : Language Arts & Disciplines
ISBN 13 : 1773381423
Description :


An exclusively Canadian textbook, this collection investigates the relationships between identity, geography, and popular culture that are produced and consumed in this sprawling country. Expanding beyond the clichés of friendliness and snow, this text provides a fresh perspective on what it means to be Canadian, both nationally and transnationally. Scholars look at historical subjects like Québécois identity and Indigenous self-representation and explore issues in contemporary media, including music, film, television, comic books, video games, and social media. From Drake to the Tragically Hip, Trailer Park Boys to The Amazing Race Canada, and poutine to maple syrup, mainstream icons and trends are studied in the interdisciplinary context of race, gender, sexuality, politics, and patriotism. Contributing to the location of Canadian popular culture, this unique resource will engage students and scholars of communication studies, cultural studies, and Canadian studies. FEATURES - Includes key concepts and theories and a glossary - Engages students with relatable historical and contemporary examples of Canadiana through a breadth of media, including television shows, websites, journals, celebrities, newspapers, literature, comic books, video games, music, and films - Ensures equal representation of a national and transnational Canada, which includes examples of race, gender, sexuality, and ethnicity, with particular attention to geographical intricacies that contain all provinces and territories


Author : Rachel Moseley
Helen Wheatley
Publisher : Routledge
Release : 2016-11-10
Page : 266
Category : Social Science
ISBN 13 : 1317428471
Description :


Television for Women brings together emerging and established scholars to reconsider the question of ‘television for women’. In the context of the 2000s, when the potential meanings of both terms have expanded and changed so significantly, in what ways might the concept of programming, addressed explicitly to a group identified by gender still matter? The essays in this collection take the existing scholarship in this field in significant new directions. They expand its reach in terms of territory (looking beyond, for example, the paradigmatic Anglo-American axis) and also historical span. Additionally, whilst the influential methodological formation of production, text and audience is still visible here, the new research in Television for Women frequently reconfigures that relationship. The topics included here are far-reaching; from television as material culture at the British exhibition in the first half of the twentieth century, women’s roles in television production past and present, to popular 1960s television such as The Liver Birds and, in the twenty-first century, highly successful programmes including Orange is the New Black, Call the Midwife, One Born Every Minute and Wanted Down Under. This book presents ground-breaking research on historical and contemporary relationships between women and television around the world and is an ideal resource for students of television, media and gender studies.


Author : Marusya Bociurkiw
Publisher : Wilfrid Laurier Univ. Press
Release : 2011-04-12
Page : 192
Category : Performing Arts
ISBN 13 : 1554583543
Description :


“My name is Joe, and I AM Canadian!” How did a beer ad featuring an unassuming guy in a plaid shirt become a national anthem? This book about Canadian TV examines how affect and consumption work together, producing national practices framed by the television screen. Drawing on the new field of affect theory, Feeling Canadian: Television, Nationalism, and Affect tracks the ways that ideas about the Canadian nation flow from screen to audience and then from body to body. From the most recent Quebec referendum to 9/11 and current news coverage of the so-called “terrorist threat,” media theorist Marusya Bociurkiw argues that a significant intensifying of nationalist content on Canadian television became apparent after 1995. Close readings of TV shows and news items such as Canada: A People’s History, North of 60, and coverage of the funeral of Pierre Trudeau reveal how television works to resolve the imagined community of nation, as well as the idea of a national self and national others, via affect. Affect theory, with its notions of changeability, fluidity, and contagion, is, the author argues, well suited to the study of television and its audience. Useful for scholars and students of media studies, communications theory, and national television and for anyone interested in Canadian popular culture, this highly readable book fills the need for critical scholarly analysis of Canadian television’s nationalist practices.


Author : Gillian Roberts
David Stirrup
Publisher : Wilfrid Laurier Univ. Press
Release : 2014-03-24
Page : 354
Category : Social Science
ISBN 13 : 1554589983
Description :


The essays collected in iParallel Encounters The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada–US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole—bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.


Author : Anita Lam
Publisher : Routledge
Release : 2013-10-15
Page : 216
Category : Social Science
ISBN 13 : 1134114451
Description :


This book employs actor-network theory in order to examine how representations of crime are produced for contemporary prime-time television dramas. As a unique examination of the production of contemporary crime television dramas, particularly their writing process, Making Crime Television: Producing Entertaining Representations of Crime for Television Broadcast examines not only the semiotic relations between ideas about crime, but the material conditions under which those meanings are formulated. Using ethnographic and interview data, Anita Lam considers how textual representations of crime are assembled by various people (including writers, directors, technical consultants, and network executives), technologies (screenwriting software and whiteboards), and texts (newspaper articles and rival crime dramas). The emerging analysis does not project but instead concretely examines what and how television writers and producers know about crime, law and policing. An adequate understanding of the representation of crime, it is maintained, cannot be limited to a content analysis that treats the representation as a final product. Rather, a television representation of crime must be seen as the result of a particular assemblage of logics, people, creative ideas, commercial interests, legal requirements, and broadcasting networks. A fascinating investigation into the relationship between television production, crime, and the law, this book is an accessible and well-researched resource for students and scholars of Law, Media, and Criminology.


Author : James Bennett
Niki Strange
Publisher : Duke University Press
Release : 2011-02-11
Page : 389
Category : Performing Arts
ISBN 13 : 0822349108
Description :


DIVCollection of essays that consider television as a digital media form and the aesthetic, cultural, and industrial changes that this shift has provoked./div


Author : Richard Collins
Publisher : University of Toronto Press
Release : 1990-10-01
Page :
Category : Social Science
ISBN 13 : 1442654929
Description :


‘There can be no political sovereignty without culture sovereignty.’ So argued the CBC in 1985 in its evidence to the Caplan/Sauvageau Task Force on Broadcasting Policy. Richard Collins challenges this assumption. He argues in this study of nationalism and Canadian television policy that Canada’s political sovereignty depends much less on Canadian content in television than has generally been accepted. His analysis focuses on television drama, at the centre of television policy in the 1980s. Collins questions the conventional image of Canada as a weak national entity undermined by its population’s predilection for foreign television. Rather, he argues, Canada is held together, not by a shared repertoire of symbols, a national culture, but by other social forces, notably political institutions. Collins maintains that important advantages actually and potentially flow from Canada’s wear national symbolic culture. Rethinking the relationships between television and society in Canada may yield a more successful broadcasting policy, more popular television programming, and a better understanding of the links between culture and the body politic. As the European Community moves closer to political unity, the Canadian case may become more relevant to Europe, which, Collins suggests, already fears the ‘Canadianization’ of its television. He maintains that a European multilingual society, without a shared culture or common European audio-visual sphere and with viewers watching foreign television, can survive successfully as a political entity – just as Canada has.


Author : Janine Marchessault
Will Straw
Publisher : Oxford University Press
Release : 2019-03-20
Page : 504
Category : Performing Arts
ISBN 13 : 019022911X
Description :


The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.


Author : Kyle Conway
Publisher :
Release : 2011
Page : 228
Category : Social Science
ISBN 13 : 0773587101
Description :


Quebec has never signed on to Canada's constitution. After both major attempts to win Quebec's approval - the Meech Lake and Charlottetown Accords - failed, Quebec came within a fraction of a percentage point of voting for independence. Everyone Says No examines how the failure of these accords was depicted in French and English media and the ways in which journalists' reporting failed to translate the differences between Quebec and the rest of Canada. Focusing on the English- and French-language networks of the Canadian Broadcasting Corporation, Kyle Conway draws on the CBC/Radio Canada rich print and video archive as well as journalists' accounts of their reporting to revisit the story of the accords and the furor they stirred in both French and English Canada. He shows that CBC/Radio Canada attempts to translate language and culture and encourage understanding among Canadians actually confirmed viewers' pre-existing assumptions rather than challenging them. The first book to examine translation in Canadian news, Everyone Says No also provides insight into Canada's constitutional history and the challenges faced by contemporary public service broadcasters in increasingly multilingual and multicultural communities.