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Congressman John Lewis (GA-5) is an American icon, one of the key figures of the civil rights movement. His commitment to justice and nonviolence has taken him from an Alabama sharecropper's farm to the halls of Congress, from a segregated schoolroom to the 1963 March on Washington, and from receiving beatings from state troopers to receiving the Medal of Freedom from the first African-American president. Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best-selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole). March is a vivid first-hand account of John Lewis' lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis' personal story, it also reflects on the highs and lows of the broader civil rights movement. Book One spans John Lewis' youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., the birth of the Nashville Student Movement, and their battle to tear down segregation through nonviolent lunch counter sit-ins, building to a stunning climax on the steps of City Hall. Many years ago, John Lewis and other student activists drew inspiration from the 1958 comic book Martin Luther King and the Montgomery Story. Now, his own comics bring those days to life for a new audience, testifying to a movement whose echoes will be heard for generations.

This debut book of poetry from the Plimpton Award–winning author of Census “displays an otherworldly virtuosity . . . coolly seductive and skillfully wrought” (DeSales Harrison, Boston Review). Called “A young genius” by the Chicago Tribune, Jesse Ball has won acclaim for his novels and poetry combining skillful attention to form with a deeply resonant humanity. That same mastery of craft and vision are on display in his first published volume of poetry, March Book. With perfect line breaks, tenderly selected words, and inventive pairings, Ball leads us through his fantastic world. In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin linen dress, and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who “ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed” only to be told that there’s nothing between him and “the suddenness of age.” While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and “make pillows with the down / of stolen geese,” “build / rooms in terms of the hours of the day.”

Honors and awards for this book: National Book Award Winner, Young People's Literature, 2016; #1 New York Times and Washington Post Bestseller; First graphic novel to receive a Robert F. Kennedy Book Award; Winner of the Eisner Award; A Coretta Scott King Honor Book; One of YALSA's Outstanding Books for the College Bound; One of Reader's Digest's Graphic Novels Every Grown-Up Should Read.

Their army defeated by the Nazis and their hopes directed toward Russia, several Polish families and individuals courageously struggle to survive despite imprisonment, betrayal, and a single-minded attempt to destroy them

“I read Virginia’s novel in one sitting and was so captured by it I knew I had to make it and play Mrs. March. As a character, she is fascinating, complex, and deeply human and I can’t wait to sink my teeth into her.” —Elisabeth Moss Who is Mrs. March? George March’s latest novel is a smash. No one could be prouder than his dutiful wife, Mrs. March, who revels in his accolades. A careful creature of routine and decorum, she lives a precariously controlled existence on the Upper East Side until one morning, when the shopkeeper of her favorite patisserie suggests that her husband’s latest protagonist—a detestable character named Johanna—is based on Mrs. March herself. Clutching her ostrich leather pocketbook and mint-colored gloves, she flees the shop. What could have merited this humiliation? That one casual remark robs Mrs. March of the belief that she knew everything about her husband—and herself—thus sending her on an increasingly paranoid journey that begins within the pages of a book. While snooping in George’s office, Mrs. March finds a newspaper clipping about a missing woman. Did George have anything to do with her disappearance? He’s been going on a lot of “hunting trips” up north with his editor lately, leaving Mrs. March all alone at night with her tormented thoughts, and the cockroaches that have suddenly started to appear, and strange breathing noises . . . As she begins to decode her husband’s secrets, her deafening anxiety and fierce determination threaten everyone in her wake—including her stoic housekeeper, Martha, and her unobtrusive son, Jonathan, whom she loves so profoundly, when she remembers to love him at all. Combining a Hitchcockian sensibility with wickedly dark humor, Virginia Feito, a brilliantly talented and, at times, mischievous newcomer, offers a razor-sharp exploration of the fragility of identity. A mesmerizing novel of psychological suspense and casebook insecurity turned full-blown neurosis, Mrs. March will have you second-guessing your own seemingly familiar reflection in the mirror.

Retracing the events and personalities of China's Long March, a colorful narrative describes the epic odyssey of thousands of Chinese Communist followers from their bases to the remote north of China, going behind the myth to recount the stories behind the March, including ruthless purges, hunger and disease, desertions, mistreatment of women, and more. 35,000 first printing.

A critique of American decadence and moral squalor. Foster argues that three basic cultural phenomena have intertwined in the national psyche - the impact of personalism and the leveraged individual, the growth of the therapeutic state, and the overwhelming preoccupation with entertainment - leaving America in a moral and cultural quandry.