New Deal Photography Download Ebook PDF Epub Online

Author : Peter Walther
United States. Farm Security Administration
Publisher :
Release : 2016
Page : 605
Category : Documentary photography
ISBN 13 : 9783836537117
Description :


Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the countryrsquo;s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and ldquo;introduce America to Americans.rdquo; This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but are allowed to speak for themselves.


Author : Nicholas Natanson
Publisher : Univ. of Tennessee Press
Release : 1992
Page : 305
Category : Social Science
ISBN 13 : 9780870497247
Description :


Between 1935 and 1942, photographers for the New Deal's Resettlement Administration-Farm Security Administration (FSA) captured in powerfully moving images the travail of the Great Depression and the ways of a people confronting radical social change. Those who speak of the special achievement of FSA photography usually have in mind such white icons as Dorothea Lange's Migrant Mother or Walker Evans's Alabama sharecroppers. But some six thousand printed images, a tenth of FSA's total, included black figures or their dwellings. At last, Nicholas Natanson reveals both the innovative treatment of African Americans in FSA photographs and the agency's highly problematic use of these images once they had been created. While mono-dimensional treatments of blacks were common in public and private photography of the period, such FSA photographers as Ben Shahn, Arthur Rothstein, and Jack Delano were well informed concerning racial problems and approached blacks in a manner that avoided stereotypes, right-wing as well as left-wing. In addition, rather than focusing exclusively on FSA-approved agency projects involving blacks - politically the safest course - they boldly addressed wider social and cultural themes. This study employs a variety of methodological tools to explore the political and administrative forces that worked against documentary coverage of particularly sensitive racial issues. Moreover, Natanson shows that those who drew on the FSA photo files for newspapers, magazines, books, and exhibitions often entirely omitted images of black people and their environment or used devices such as cropping and captioning to diminish the true range of the FSA photographers' vision.


Author : Julia L. Foulkes
Publisher : Temple University Press
Release : 2011
Page : 128
Category : History
ISBN 13 : 159213999X
Description :


In the 1930s and 1940s, as the United States moved from a rural to an urban nation, the pull of the city was irrepressible. It was so strong that even a photographic mission designed to record the essence of rural America could not help but capture the energy of urbanization too. To the City showcases over 100 photographs from the Farm Security Administration (FSA) project along with extracts from the Works Progress Administration (WPA) guidebooks and oral histories, to convey the detail and dimensions of that transformation. This artfully grouped collection of photographs includes magnificent images by notable photographers Dorothea Lange, Walker Evans and Gordon Parks, among many others. Foulkes organizes this history of Americana into five themes: Intersection; Traffic; High Life and Low Life; The City in the Country; and Citizens to illuminate the changes in habits, landscapes, and aspirations that the march to cities encompassed. As the rural past holds symbolic sway and the suburb presents demographic force, the urban portion of our history—why and how cities have been a destination for hope—recedes from view. To the City is a thoughtful, engaging reminder.


Author : James R. Swensen
Publisher : University of Oklahoma Press
Release : 2015-10
Page : 272
Category : History
ISBN 13 : 0806153164
Description :


As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck’s The Grapes of Wrath and the photographs produced for the New Deal’s Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck’s novel and the FSA’s photography—and into the circumstances that have made them enduring icons of the Depression. Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA’s work to publicize the plight of the migrant in the wake of the novel and John Ford’s award-winning film adaptation. A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.


Author : Betty Rivard
Publisher :
Release : 2012
Page : 231
Category : History
ISBN 13 : 9781933202884
Description :


Upon entering the White House in 1933, President Franklin D. Roosevelt faced an ailing economy in the throes of the Great Depression and rushed to transform the country through recovery programs and legislative reform. By 1934, he began to send professional photographers to the state of West Virginia to document living conditions and the effects of his New Deal programs. The photographs from the Farm Security Administration Project not only introduced “America to Americans,” exposing a continued need for government intervention, but also captured powerful images of life in rural and small town America.New Deal Photographs of West Virginia, 1934-1943 presents images of the state's northern and southern coalfields, the subsistence homestead projects of Arthurdale, Eleanor, and Tygart Valley, and various communities from Charleston to Clarksburg and Parkersburg to Elkins. With over one hundred and fifty images by ten FSA photographers, including Walker Evans, Marion Post Wolcott, Arthur Rothstein, and Ben Shahn, this collection is a remarkable proclamation of hardship, hope, endurance, and, above all, community. These photographs provide a glimpse into the everyday lives of West Virginians during the Great Depression and beyond.


Author : Pete Daniel
Sally Stein
Publisher : Smithsonian Inst Press
Release : 1987
Page : 196
Category : Photography
ISBN 13 :
Description :


Photographs portray social conditions during the Depression and depict the New Deal government programs


Author : Lili Corbus Bezner
Publisher :
Release : 1999
Page : 307
Category : Photography
ISBN 13 :
Description :


Although critics defended the trend, arguing that truly visionary art transcended politics, Bezner notes that the cold war era effectively silenced some of the most socially engaged photographers in American society."--BOOK JACKET.


Author : Elizabeth Louise Bennett
Publisher :
Release : 2012
Page : 228
Category :
ISBN 13 :
Description :


"Economies of Valuation and Desire: How New Deal Photography Made the Amish Modern" connects two substantial bodies of scholarship: the visual culture of the New Deal, and twentieth-century visual and literary representations of religious sub-cultures in the United States. Its primary objectives are two-fold. First, it provides an alternative model for the Great Depression as a historical narrative and popular concept in the American imagination. The images at the center of my dissertation propose a counter-narrative to those typically offered, which describe great waves of migration across the landscape - narratives of Okies, and other de-territorialized American identities moving through shifting topographies of loss and renewal. In contrast, the earliest group of photographs to depict consenting Amish subjects in Lancaster County, Pennsylvania make visible an American community's firm rootedness to a particular place, and moreover, the cost of that endurance to other citizens. Second, the project contributes to the field of Anabaptist Studies a critical assessment of twentieth-century photographs of the photography-averse Amish, a subject that has yet to receive consideration in any field. Since they arose as a distinct group within the Amish Church in 1865, the Old Order have exercised serious proscriptions against photography as both act and object. Yet images of Amish individuals have proliferated in American visual culture since the early twentieth century and contribute to our collective idea of the community as insular, old-fashioned, and curiously benign. A particular set of New Deal photographs act as a pivot point in a history of picturing the Old Order - they are paradoxical images because they present the Anabaptist community as nearly extinct on the periphery of the modern world, yet also a viable threat to central tenets of multiple modernisms. Furthermore, it is precisely the Old Order's particular objections to photography that constitute some of the most serious challenges to established ideas of Modernism. "Economies of Valuation and Desire" considers photographs by Irving Rusinow taken for the American Farm Community Study, a sociological research endeavor directed by the Bureau of Agricultural Economics from 1938 to 1942. As the Bureau's Head Field Photographer, the little-known Rusinow replaced Dorothea Lange, who left in 1940 to pursue work on a Guggenheim Fellowship. The Study was comprised of six rural communities, including the Lancaster Amish, that the Bureau's team of sociologists selected as representative of the nation's rural inhabitants. In 1941, Rusinow produced about 1,000 photographs of these communities; however, only 76 of them were published with the Study's technical reports between 1942 and 1945. The project investigates a small portion of the photographer's (published and unpublished) images within the context of the Study's ultimate objective: to structure the six communities into a legible "continuum of stability and instability" and in the process, uncover cultural, environmental, and agricultural variables that led to a community's economic success or failure. The Community Study was in the service of the Bureau's primary program, Federal-County Land-Use Planning; the second half of the chapter considers the possibilities of Rusinow's photographs for this larger program. Land-Use Planning facilitated direct dialogue between all agricultural stakeholders in order to propose and enact policy change. Bureau-organized municipal meetings brought together farmers, university agriculture extension agents, social scientists, Washington bureaucrats, and farm union representatives who collaborated to literally redraw maps of local topographies as the first step towards higher agricultural profits and more economically resilient communities. Land-Use Planning was tasked with inculcating big business methods into agriculture, but doing so with a grassroots democratic approach that required "inside" information about each of the communities in question. To this end, Rusinow's camera was the program's fundamental research tool, freely oscillating between ethnographic and anthropological looking at (O)ther Americans. His photographs substantially reframe established narratives about the New Deal; they muddy (or unexpectedly illuminate) Roy Stryker's assertion that the most famous government photography project, enabled by the Farm Security Administration, was going to "introduce America to Americans." I argue that Land-Use Planning photography was deployed as a mode of surveillance in the countryside, a tool for social gardening with which the vulnerabilities of peripheral populations could be identified, ordered, and "corrected."


Author : Diana L. Linden
Publisher : Wayne State University Press
Release : 2015-10-15
Page : 272
Category : Art
ISBN 13 : 0814339840
Description :


Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. In Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.


Author : Paul McNeil
Publisher : Laurence King Publishing
Release : 2017-09-26
Page : 672
Category : Design
ISBN 13 : 9781780679761
Description :


The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid-fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of defining characteristics of the typeface. This book will be the definitive publication in its field, appealing to graphic designers, educators, historians, and design students. It will also be a significant resource for professional type designers and students of type.


Author : Pete Daniel
Merry A. Foresta
Publisher :
Release : 1987
Page : 522
Category : Documentary photography
ISBN 13 :
Description :



FSA

Author : Gilles Mora
Beverly W. Brannan
Publisher : ABRAMS
Release : 2006-10
Page : 357
Category : History
ISBN 13 :
Description :


For this remarkable volume, Mora and Brannan immersed themselves in the vast archive at the Library of Congress and emerged with unknown treasures. Theirs is a new view of the achievement of the FSA photographers--the most comprehensive in print--that gives them their due as the creators of a new American photographic vision.


Author : William Lasser
Publisher : Yale University Press
Release : 2008-10-01
Page : 406
Category : Political Science
ISBN 13 : 9780300128888
Description :


A key figure in the administrations of Franklin D. Roosevelt and Harry S. Truman, Benjamin V. Cohen (1894–1983) was a major architect of public policy from the first days of FDR’s presidency through the early days of the Cold War. Although he kept a low public profile, Cohen’s influence extended across a wide range of domestic and foreign policy initiatives. In this biography, William Lasser offers the first account of Ben Cohen’s life and career, and an assessment of his contribution to the origin and development of modern American liberalism. Cohen’s life provides an extraordinary lens through which to view the development of the evolving political philosophy of the Roosevelt and Truman presidencies. A brilliant lawyer noted for his good judgment and experience, Cohen was a leading member of FDR’s “Brain Trust,” developing ideas, drafting legislation, lobbying within the administration and in Congress, and defending the New Deal in court. The book traces his contributions to domestic financial policy, his activities during the war years in London and Washington, his service as counselor to the State Department and member of the American delegation to the United Nations after the war, and his role in the American Zionist movement. From Cohen’s life and work, Lasser draws important insights into the development of the New Deal and the evolution of postwar liberalism.


Author : Natasha Egan
Publisher : Kehrer Verlag
Release : 2017
Page : 175
Category : City planning
ISBN 13 : 9783868287905
Description :


Photographs of three communities built during the Great Depression explore one of the most ambitious programs of Roosevelt's New Deal.


Author : Kathleen Krull
Publisher : Simon and Schuster
Release : 2020-02-04
Page : 48
Category : Juvenile Nonfiction
ISBN 13 : 1481491520
Description :


Discover the incredible life of Frances Perkins, the first woman to serve in a presidential cabinet and the mastermind behind Franklin D. Roosevelt’s New Deal, in this fascinating picture book biography that’s perfect for fans of I Dissent. Most people know about President FDR, but do you know the woman who created his groundbreaking New Deal? As a young girl, Frances Perkins was very shy and quiet. But her grandmother encouraged Frances to always challenge herself. When somebody opens a door to you, go forward. And so she did. Frances realized she had to make her voice heard, even when speaking made her uncomfortable, and use it to fight injustice and build programs to protect people across the nation. So when newly-elected President Franklin Delano Roosevelt finally asked Frances to be the first female Secretary of Labor and help pull the nation out of the Great Depression, she knew she had to walk through that open door and forward into history. In this empowering, inspirational biography, discover how the first woman to serve in a presidential cabinet led the charge to create the safety net that protects American workers and their families to this day.


Author : Brooklyn Beckham
Publisher : Penguin UK
Release : 2017-06-29
Page : 365
Category : Photography
ISBN 13 : 0141375779
Description :


WHAT I SEE, the first book by Brooklyn Beckham, is a series of snapshots of his life. Each chapter tells a different story through pictures by and of Brooklyn, accompanied by captions and passages of text in his own words. Unique, authentic and stylish, WHAT I SEE is a glimpse behind the lens.


Author : Hany Farid
Publisher : MIT Press
Release : 2019-09-10
Page : 232
Category : Computers
ISBN 13 : 0262537494
Description :


A concise and accessible guide to techniques for detecting doctored and fake images in photographs and digital media. Stalin, Mao, Hitler, Mussolini, and other dictators routinely doctored photographs so that the images aligned with their messages. They erased people who were there, added people who were not, and manipulated backgrounds. They knew if they changed the visual record, they could change history. Once, altering images required hours in the darkroom; today, it can be done with a keyboard and mouse. Because photographs are so easily faked, fake photos are everywhere—supermarket tabloids, fashion magazines, political ads, and social media. How can we tell if an image is real or false? In this volume in the MIT Press Essential Knowledge series, Hany Farid offers a concise and accessible guide to techniques for detecting doctored and fake images in photographs and digital media. Farid, an expert in photo forensics, has spent two decades developing techniques for authenticating digital images. These techniques model the entire image-creation process in order to find the digital disruption introduced by manipulation of the image. Each section of the book describes a different technique for analyzing an image, beginning with those requiring minimal technical expertise and advancing to those at intermediate and higher levels. There are techniques for, among other things, reverse image searches, metadata analysis, finding image imperfections introduced by JPEG compression, image cloning, tracing pixel patterns, and detecting images that are computer generated. In each section, Farid describes the techniques, explains when they should be applied, and offers examples of image analysis.


Author : Pierre Bourdieu
Shaun Whiteside
Publisher : Stanford University Press
Release : 1996
Page : 218
Category : Social Science
ISBN 13 : 9780804726894
Description :


The everyday practice of photography by millions of amateur photographers may seem to be a spontaneous and highly personal activity. But France's leading sociologist and cultural theorist shows that few cultural activities are more structured and systematic than photography.


Author : Pete Daniel
Merry A. Foresta
Publisher :
Release : 1987
Page : 522
Category : Documentary photography
ISBN 13 :
Description :



Author : Rich Remsberg
Publisher :
Release : 2010
Page : 220
Category : History
ISBN 13 :
Description :


Showcasing American music and music making during the Great Depression, Hard Luck Blues presents more than two hundred photographs created by the New Deal's Farm Security Administration photography program. With an appreciation for the amateur and the local, FSA photographers depicted a range of musicians sharing the regular music of everyday life, from informal songs in migrant work camps, farmers' homes, barn dances, and on street corners to organized performances at church revivals, dance halls, and community festivals. Captured across the nation from the northeast to the southwest, the images document the last generation of musicians who learned to play without the influence of recorded sound, as well as some of the pioneers of Chicago's R & B scene and the first years of amplified instruments. The best visual representation of American roots music performance during the Depression era, Hard Luck Blues features photographs by Jack Delano, Dorothea Lange, Russell Lee, Arthur Rothstein, Ben Shahn, Marion Post Wolcott, and others. Photographer and image researcher Rich Remsberg breathes life into the images by providing contextual details about the persons and events captured, in some cases drawing on interviews with the photographers' subjects. Also included are a foreword by author Nicholas Dawidoff and an afterword by music historian Henry Sapoznik. Published in association with the Library of Congress.