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An El Salvadoran investigative journalist for the Latin American gang violence project, El Faro, documents the recent abduction of 300 migrant workers from the border towns between Mexico and Arizona and how their disappearances reflect the increasing dangers facing migrants.

"Beauty and the Beast" by Jeanne-Marie Leprince de Beaumont. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Lemony Snicket meets Roald Dahl in this riotously funny, deliciously macabre, and highly illustrated tale of a hungry beast, a vain immortal man, and a not-so-charming little girl who doesn’t know she’s about to be eaten. Beauty comes at a price. And no one knows that better than Ebenezer Tweezer, who has stayed beautiful for 511 years. How, you may wonder? Ebenezer simply has to feed the beast in the attic of his mansion. In return for meals of performing monkeys, statues of Winston Churchill, and the occasional cactus, Ebenezer gets potions that keep him young and beautiful, as well as other presents. But the beast grows ever greedier with each meal, and one day he announces that he’d like to eat a nice, juicy child next. Ebenezer has never done anything quite this terrible to hold onto his wonderful life. Still, he finds the absolutely snottiest, naughtiest, and most frankly unpleasant child he can and prepares to feed her to the beast. The child, Bethany, may just be more than Ebenezer bargained for. She’s certainly a really rather rude houseguest, but Ebenezer still finds himself wishing she didn’t have to be gobbled up after all. Could it be Bethany is less meal-worthy and more…friend-worthy?

Beast Academy Guide 2D and its companion Practice 2D (sold separately) are the fourth part in a four-part series for 2nd grade mathematics. Book 2d includes chapters on big numbers, algorithms for additional and subtractions, and problem solving.

The werewolf in popular fiction has begun to change rapidly. Literary critics have observed this development and its impact on the werewolf in fiction, with theorists arguing that the modern werewolf offers new possibilities about how we view identity and the self. Although this monograph is preoccupied with the same concerns, it represents a departure from other critical works by analysing the werewolf’s subjectivity/identity as a work-in-progress, where the fixed and final form is yet to be arrived at – and may never be fully accomplished. Using the critical theories of Deleuze and Guattari and their concepts of ‘multiplicities’ and ‘becoming’, this work argues that the werewolf is in a state of constant evolution as it develops new modes of being in popular fiction. Following on from this examination of lycanthropic subjectivity, the book goes on to examine the significant developments that have resulted from the advent of the werewolf as subject, few of which have received any sustained critical attention to date.

"The Beast in the Cave" is a short story by American horror fiction writer H. P. Lovecraft. A man touring the Mammoth Cave becomes separated from his guide and becomes lost. His torch expires and he is giving up hope of finding a way out in the pitch dark, when he hears strange non-human footsteps approaching him. Thinking it to be a lost mountain lion or other such beast, he picks up a stone and throws it toward the source of the sound. The beast is hit and crumples to the floor. The guide finds the protagonist, and together they examine the fallen creature with the guide's torchlight. The creature mutters in its last breaths and they see its face, discovering that it is in fact a pale, deformed human, who had also become lost in the cave many years ago.

“A poignant story.” —School Library Journal “An unforgettable, life-affirming tale.” —Booklist The Graveyard Book meets Hatchet in this eerie novel about a boy who is stranded on a mysterious beach, from debut author Samantha M. Clark. A boy washes up on a mysterious, seemingly uninhabited beach. Who is he? How did he get there? The boy can’t remember. When he sees a light shining over the foreboding wall of trees that surrounds the shore, he decides to follow it, in the hopes that it will lead him to answers. The boy’s journey is a struggle for survival and a search for the truth—a terrifying truth that once uncovered, will force him to face his greatest fear of all if he is to go home. This gripping adventure will have readers hooked until its jaw-dropping and moving conclusion. Samantha M. Clark’s first novel heralds the arrival of an exciting new voice.

Praise for the first edition: "...a brave and fascinating exploration of an area that has so far been rather neglected by both historical and literary critics. The Beast Within provides extremely valuable information on the legal and cultural background of the human-animal relationship..." -- Studies in the Age of Chaucer This important book offers a unique exploration of the use of and attitude towards animals from the 4th to the 14th centuries. The Beast Within explores the varying roles of animals as property, food and sexual objects, and the complex relationship that this created with the people and world around them. Joyce E. Salisbury takes an interdisciplinary approach to the subject, weaving a historical narrative that includes economic, legal, theological, literary and artistic sources. The book shows how by the end of the Middle Ages the lines between humans and animals had blurred completely, making us recognise the beast that lay within us all. This new edition has been brought right up to date with current scholarship, and includes a brand new chapter on animals on trial and animals as human companions, as well as expanded and updated discussions on fables and saints, and a new section on âe~bestial humansâe(tm). This important and provocative book remains a key work on the historical study of animals, as well as in the field of environmental history more generally, and also provides crucial context to ongoing debates on animal rights and the environment.

The medieval bestiary was a contribution to didactic religious literature, addressing concerns central to all walks of Christian and secular life. These essays analyze the bestiary from both literary and art historical perspectives, exploring issues including kinship, romance, sex, death, and the afterlife.

A tale as old as time is made new in Ashley Poston's fresh, geeky retelling of Beauty and the Beast. Rosie Thorne is feeling stuck—on her college application essays, in her small town, and on that mysterious General Sond cosplayer she met at ExcelsiCon. Most of all, she’s stuck in her grief over her mother’s death. Her only solace was her late mother’s library of rare Starfield novels, but even that disappeared when they sold it to pay off hospital bills. On the other hand, Vance Reigns has been Hollywood royalty for as long as he can remember—with all the privilege and scrutiny that entails. When a tabloid scandal catches up to him, he's forced to hide out somewhere the paparazzi would never expect to find him: Small Town USA. At least there’s a library in the house. Too bad he doesn’t read. When Rosie and Vance’s paths collide and a rare book is accidentally destroyed, Rosie finds herself working to repay the debt. And while most Starfield superfans would jump at the chance to work in close proximity to the Vance Reigns, Rosie has discovered something about Vance: he’s a jerk, and she can’t stand him. The feeling is mutual. But as Vance and Rosie begrudgingly get to know each other, their careful masks come off—and they may just find that there’s more risk in shutting each other out than in opening their hearts.

This reprint edition features a new preface to address events that have occured since the first edition was released.

Looks at how Western culture pictures the beast, examining how such images affect how real animals are perceived and treated.

When a tiger suspects he is the beast the jungle animals are fleeing from, he returns to them and points out their similarities.

Judge Benjamin Barr Lindsey’s exposé of big business’s influence on Colorado and Denver politics, a best seller when it was originally published in 1911, is now back in print. The Beast reveals the plight of working-class Denver citizens—in particular those Denver youths who ended up in Lindsey’s court day after day. These encounters led him to create the juvenile court, one of the first courts in the country set up to deal specifically with young delinquents. In addition, Lindsey exposes the darker side of many well-known figures in Colorado history, including Mayor Robert W. Speer, Governor Henry Augustus Buchtel, Will Evans, and many others. When first published, The Beast was considered every bit the equal Upton Sinclair’s The Jungle and sold over 500,000 copies. More than just a fascinating slice of Denver history, this book—and Lindsey’s court— offered widespread social change in the United States.

5-31 March 1988, Odeon Theatre, Norwood.

Since the Reagan Revolution of the early 1980s, Republicans have consistently championed tax cuts for individuals and businesses, regardless of whether the economy is booming or in recession or whether the federal budget is in surplus or deficit. In Starving the Beast, sociologist Monica Prasad uncovers the origins of the GOP’s relentless focus on tax cuts and shows how this is a uniquely American phenomenon. Drawing on never-before seen archival documents, Prasad traces the history of the 1981 tax cut—the famous “supply side” tax cut, which became the cornerstone for the next several decades of Republican domestic economic policy. She demonstrates that the main impetus behind this tax cut was not business group pressure, racial animus, or a belief that tax cuts would pay for themselves. Rather, the tax cut emerged because Republicans believed that following World War II, Democrats had created an extremely durable power structure based on offering government programs to Americans, through which they were able to unify an otherwise fractious coalition of farmers, workers, and African Americans and retain control of Congress for four decades. Republicans were reduced to lecturing about balanced budgets, an issue that did not win them many elections. The Republican party began to see tax cuts as an opportunity to alter these basic building blocks of American power. If Democratic power was built out of government programs, Republicans found a new power source in offering tax cuts. Once it became clear that the resulting deficits could be financed by foreign capital, this program reoriented the Republican Party, transforming it from the party of fiscal rectitude into a party whose main domestic policy goal is reducing taxes. With one party promoting government programs to appeal to voters and the other party promoting tax cuts to appeal to voters, and neither party able to generate electoral coalitions around addressing more pressing political and economic problems, this history reveals problems at the heart of contemporary American democracy itself. Prasad suggests some ways forward. Since the end of World War II, many European nations have combined strong social protections with policies to stimulate economic growth such as lower taxes on capital and less regulation on businesses than in the U.S. Starving the Beast suggests that taking inspiration from this model of progressive policies embedded in market-promoting political economy could serve to build an American economy that works better for all.