The Society Of The Spectacle Download Ebook PDF Epub Online

Author : Guy Debord
Publisher : Bread and Circuses Publishing
Release : 2012-10-01
Page : 90
Category : Political Science
ISBN 13 : 1617508306
Description :


The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.


Author : Guy Debord
Publisher : Good Press
Release : 2021-04-10
Page : 86
Category : Fiction
ISBN 13 :
Description :


"The Society of the Spectacle" by Guy Debord (translated by Ken Knabb). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.


Author : Guy Debord
Publisher :
Release : 2021-05
Page : 128
Category :
ISBN 13 : 9781922491282
Description :


'The Debordian analysis of modern life resonates more deeply and darkly than perhaps even its creator thought possible...' - The New Yorker 'Never before has Debord's work seemed quite as relevant as it does now' - The Guardian 'Guy Debord is a time bomb, and a difficult one to defuse.' - Michael Löwy First published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle has since acquired a cult status. The Das Kapital of the 20th century. An essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life. 'In Society of the Spectacle, Debord sets out his best-known statement of how the categories of capitalism colonise everyday life to such an extent that we can barely imagine an existence beyond them.' - Sydney Review of Books 'The Society of the Spectacle [is] about not just the clamor of images but also the silence of power, a silence which, since the seventies, has become deafening.' - McKenzie Wark 'Never before has Debord's work seemed quite as relevant as it does now, in the permanent present that he so accurately foretold? Open his book, read it, be amazed, pour yourself a glass of supermarket wine - as he would wish - and then forget all about it, which is what the Spectacle wants.' - Will Self 'In The Society of the Spectacle, Debord made plain that a 'unified critique of culture' implied a critique of the social totality. This was his practico-theoretical method throughout his career as a revolutionary: he saw no distinction between cultural work and political work.' - Bruce Russell 'I read [The Society of the Spectacle] again and I thought, "This is a fucking amazing book!" I had forgotten how terrific it was, and it was actually quite different to how I remembered it. I insist that the key chapter is not the first one, on the spectacle itself, but the second to last - the chapter on détournement. To me, that concept is the great gift of the Situationists. [They] realized that one can exploit this critically - one can copy and correct in the direction of hope.' - Los Angeles Review of Books About the author Guy Debord (1931-1994) was a Marxist theorist, writer, poet, filmmaker, hypergraphist, cultural revolutionary and a founding member of the Lettrist International and Situationist International - groups that fused avant-garde art and politics as an anti-capitalist weapon. Few works of political and cultural theory have been as enduringly provocative as Debord's Society of the Spectacle, which decisively transformed debates on the shape of modernity, capitalism and contemporary life.


Author : Guy Debord
Publisher : Princeton University Press
Release : 2020-09-01
Page :
Category : Political Science
ISBN 13 : 1935408216
Description :


Few works of political and cultural theory have been as enduringly provocative as Guy Debord’s Society of the Spectacle. From its publication amid the social upheavals of the 1960s to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord’s text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image / information culture. “In all that has happened in the last twenty years, the most important change lies in the very continuity of the spectacle. Quite simply, the spectacle’s domination has succeeded in raising a whole generation moulded to its laws. The extraordinary new conditions in which this entire generation has lived constitute a comprehensive summary of all that, henceforth, the spectacle will forbid; and also all that it will permit.”— Guy Debord (1988)


Author : Guy Debord
Publisher : Pattern Books
Release : 2020-06-28
Page : 166
Category : Political Science
ISBN 13 : 5841295055
Description :


The "Das Kapital" of the 20th century. Look, you don't need a description of the book. It is Capital of the 20th century, okay. You know who Marx is already, and the spectacle is mediating our lives through images. Get a cheap version of this book and drop it in a bin somewhere so someone else can read it. Send it to a prisoner. Don't put it on your shelf so you can look smart, put it in your pocket and treat it like you're smuggling drugs.


Author : Guy Debord
Publisher : Verso Trade
Release : 1998
Page : 94
Category : Philosophy
ISBN 13 : 1844676722
Description :


No Marketing Blurb


Author : Marco Briziarelli
Emiliana Armano
Publisher : University of Westminster Press
Release : 2017-12-17
Page : 252
Category : Social Science
ISBN 13 : 1911534459
Description :


Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.


Author : Guy Debord
Publisher : TamTam Books
Release : 2001
Page : 81
Category : Political Science
ISBN 13 : 9780966234626
Description :


Cultural Writing. Translated and with an introduction by Robert Greene. In 1984, French film producer Gerard Lebovici was found dead in his car, the victim of an apparent assassination. An immediate media frenzy ensued, with much of it surrounding Lebovici's close friendship with Guy Debord, one of the founders of the Situationist International, and a highly controversial public figure. In this book, Debord offers his in-depth analysis on the still unsolved crime, as well as a scathing critique of the mass news media. "A...nice touch is where he mentions that he actually has no higher opinion of the consumers of the media that he does of the disseminators of it"-Richard Hell. It is "a fascinating document...passionate Dubord, sometimes self-aggrandizing, sometimes reflective, and always illuminating"-Sadie Plant.


Author : Devin Penner
Publisher : UBC Press
Release : 2019-06-15
Page : 252
Category : Political Science
ISBN 13 : 0774860537
Description :


Spectacle is usually considered a superficial form of politics, which tries to distract and deceive a passive audience. It is difficult to see how this type of politics could be reconciled with the democratic requirement of active and informed agency. Rethinking the Spectacle re-examines the tension between spectacle and political agency using the ideas and practices of Guy Debord and the Situationist International as a point of departure. Drawing on radical democratic theory and examining case studies such as the 2011 Occupy movement, Devin Penner concludes that spectacle can and should be used to mobilize the public for egalitarian purposes.


Author : McKenzie Wark
Publisher : Verso Books
Release : 2013-05-07
Page : 240
Category : History
ISBN 13 : 1844679578
Description :


Following the work of the Situationist International after May 1968, this companion volume to The Beach Beneath the Street puts the work of the Situationists in a broader and deeper context, documenting their contemporary relevance and their deep critique of modernity.


Author : Guy Debord
Publisher : Verso Books
Release : 1990
Page : 94
Category : Philosophy
ISBN 13 :
Description :


This book is a return to the themes of Debord's stinging critique of contemporary society, The Society of the Spectacle, first published in 1967. The author demonstrates how these themes were all the more relevant in a period when the "integrated spectacle" was dominant. He shows how aspects of reality as diverse as terrorism and the environment, the mafia and the media, were caught up in the lotic of spectacular society. Pointing the finger clearly at those who benefit from the logic of domination, this book conveys the revolutionary impulse at the heart of situations.


Author : Jonathan Beller
Publisher : UPNE
Release : 2012-06-12
Page : 352
Category : Performing Arts
ISBN 13 : 1611683823
Description :


A revolutionary reconceptualization of capital and perception during the twentieth century.


Author : Aleš Erjavec
Publisher : Duke University Press
Release : 2015-05-08
Page : 344
Category : Art
ISBN 13 : 0822375664
Description :


This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change. Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic


Author : James Igoe
Jim Igoe
Publisher : University of Arizona Press
Release : 2017-09-12
Page : 176
Category : Business & Economics
ISBN 13 : 0816530440
Description :


"A thoughtful treatise on how popular representations of nature, through entertainment and tourism, shape how we imagine environmental problems and their solutions"--Provided by publisher.


Author : Tom McDonough
Publisher : MIT Press
Release : 2002
Page : 492
Category : Art
ISBN 13 : 9780262633000
Description :


This volume is a revised and expanded version of a special issue of the journalOctober (Winter 1997) that was devoted to the work of the Situationist International (SI). The firstsection of the issue contained previously unpublished critical texts, and the second sectioncontained translations of primary texts that had previously been unavailable in English. Theemphasis was on the SI's profound engagement with the art and cultural politics of their time(1957-1972), with a strong argument for their primarily political and activist stance by two formermembers of the group, T. J. Clark and Donald Nicholson-Smith.Guy Debord and the SituationistInternational supplements both sections. It reprints important, hard to find essays by GiorgioAgamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough anddoubles the number of translations of primary texts, which now encompass a broader and morerepresentative range of the SI's writings on culture and language. In a field still dominated byhagiography, the critical texts were selected for their willingness to confront critically thehistory and legacy of the SI. They examine the group within the broader framework of the historicaland neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI'sreflections on the legacy of the avant-garde in art and architecture, particularly on the linguisticand spatial significance of montage aesthetics. Many of the translated works are by Guy Debord(1932?1994), the impresario of the SI, especially known for his book The Society of theSpectacle.


Author : Douglas Kellner
Publisher : Routledge
Release : 2003-08-29
Page : 208
Category : Social Science
ISBN 13 : 1134493959
Description :


During the mid-1990s, the O.J. Simpson murder trial dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, The X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies. In this excellent follow up to his best selling Media Culture, Kellner's fascinating new volume delivers an informative read for students of sociology, culture and media.


Author : Yan Xuetong
Publisher : Princeton University Press
Release : 2020-12-22
Page : 280
Category : Political Science
ISBN 13 : 0691210225
Description :


A leading foreign policy thinker uses Chinese political theory to explain why some powers rise as others decline and what this means for the international order Why has China grown increasingly important in the world arena while lagging behind the United States and its allies across certain sectors? Using the lens of classical Chinese political theory, Leadership and the Rise of Great Powers explains China’s expanding influence by presenting a moral-realist theory that attributes the rise and fall of great powers to political leadership. Yan Xuetong shows that the stronger a rising state’s political leadership, the more likely it is to displace a prevailing state in the international system. Yan shows how rising states like China transform the international order by reshaping power distribution and norms, and he considers America’s relative decline in international stature even as its economy, education system, military, political institutions, and technology hold steady. Leadership and the Rise of Great Powers offers a provocative, alternative perspective on the changing dominance of states.


Author : Simonetta Falasca-Zamponi
Publisher : Univ of California Press
Release : 2000-08-31
Page : 303
Category : History
ISBN 13 : 0520226771
Description :


Fascist Spectacle traces the narrative path that accompanied the making of the fascist regime and the construction of Mussolini's power, arguing that aesthetic notions of politics guided fascist power's historical unfolding.


Author : Chris Hedges
Publisher : Knopf Canada
Release : 2009-07-28
Page : 176
Category : Social Science
ISBN 13 : 0307398587
Description :


Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.


Author : Samir Gandesha
Johan F. Hartle
Publisher :
Release : 2017
Page : 224
Category : Social Science
ISBN 13 : 9789089648518
Description :


This book explores the tradition, impact, and contemporary relevance of two key ideas from Western Marxism: Georg Luk�cs's concept of reification, in which social aspects of humanity are viewed in objectified terms, and Guy Debord's concept of the spectacle, where the world is packaged and presented to consumers in uniquely mediated ways. Bringing the original, yet now often forgotten, theoretical contexts for these terms back to the fore, Samir Gandesha and Johan Hartle offer a new look at the importance of Western Marxism from its early days to the present moment--and reveal why Marxist cultural critique must continue to play a vital role in any serious sociological analysis of contemporary society.