Wagner And The Art Of The Theatre Download Ebook PDF Epub Online

Author : Patrick Carnegy
Publisher : Yale University Press
Release : 2006-01-01
Page : 461
Category : Music
ISBN 13 : 9780300106954
Description :


Chapitre 6, p. 175-207, consacré à Adolphe Appia.


Author : Kara Reilly
Publisher : Springer
Release : 2013-10-22
Page : 269
Category : Performing Arts
ISBN 13 : 1137319674
Description :


This trans-historical collection explores analogue performance technologies from Ancient Greece to pre-Second World War. From ancient mechanical elephants to early modern automata, Enlightenment electrical experiments to Victorian spectral illusions, this volume offers an original examination of the precursors of contemporary digital performance.


Author : Adolphe Appia
Publisher : Coral Gables, Fla. : University of Miami Press
Release : 1962
Page : 221
Category : Opera
ISBN 13 :
Description :



Author : Richard Wagner
Publisher : U of Nebraska Press
Release : 1993-01-01
Page : 422
Category : Art
ISBN 13 : 9780803297524
Description :


Poor, frustrated, and angered by the ?fashion-mongers and mode-purveyors? of art, Richard Wagner published The Art-Work of the Future in 1849. It marked a turning point in his life: an appraisal of the revolutionary passions of mid-century Europe, his farewell to symphonic music, and his vision of the music to come. ø Beethoven?s Ninth Symphony was unsurpassable, he wrote. Henceforth "The Folk must of necessity be the Artist of the Future," and only artists who were in harmony with the Folk could know what harmony was for. The essay became a touchstone for Wagner, his family, friends, and followers, as he sought to produce works that thoroughly combined music, dance, drama, and national saga. ø In addition to Wagner?s epoch-defining essay, this volume includes his "Autobiographical Sketch," "Art and Climate"; his libretto for an opera, "Wieland the Smith"; and his notorious "Art and Revolution." The concluding piece, "A Communication to My Friends (1851), explains his views on his first successes?The Flying Dutchman, Lohengrin, and TannhÜuser?and defines his agenda for later works. ø As spokesman for the future, Wagner spoke most of himself. In these works he set forth his ambitions, identified his enemies, and began a campaign for public attention that made him a legend in his own time and in ours.


Author : John Louis DiGaetani
Publisher : McFarland
Release : 2009-10-21
Page : 272
Category : Music
ISBN 13 : 0786454504
Description :


Designed as a companion volume to 2006’s Inside the Ring, which focused on the four operas comprising Richard Wagner’s Der Ring des Nibelungen, this new volume features more than a dozen original essays focusing on all of Wagner’s non–Ring operas. Part One looks at the individual operas, including Der Fliegende Holländer, Tannhäuser, Lohengrin, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal. Part Two reveals the connections between Wagnerian opera and other arts, including dance, filmmaking, and fiction. Finally, Part Three examines Wagner’s operas in performance, featuring interviews with mezzo-soprano Michelle DeYoung and heldentenor Ben Heppner, both well-known for their Wagnerian performances. The book includes many photographs from current productions by the Metropolitan Opera and other opera companies, along with bibliographies and a discography of recommended performances.


Author : Paul Fryer
Publisher : McFarland
Release : 2014-05-12
Page : 264
Category : Music
ISBN 13 : 0786473290
Description :


This collection of essays explores the relationship between opera and the development of media technology from the late 19th to the early 21st century. Taking an international perspective, the contributing authors, each with extensive experience as scholars or practitioners of the art, cover a variety of topics including audio, video and film recording, contemporary critical responses, popular and "high brow" culture, live and recorded performance, lighting and performance technology, media marketing and advertising.


Author : Nicholas Till
Publisher : Cambridge University Press
Release : 2012-10-18
Page : 351
Category : Music
ISBN 13 : 0521855616
Description :


The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.


Author : Helen M. Greenwald
Publisher : Oxford University Press
Release : 2014-10-03
Page : 1216
Category : Music
ISBN 13 : 0199714843
Description :


What IS opera? Contributors to The Oxford Handbook of Opera respond to this deceptively simple question with a rich and compelling exploration of opera's adaption to changing artistic and political currents. Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators. The synergy of power, performance, and identity recurs thematically throughout the volume's major topics: Words, Music, and Meaning; Performance and Production; Opera and Society; and Transmission and Reception. Individual essays engage with repertoire from Monteverdi, Mozart, and Meyerbeer to Strauss, Henze, and Adams in studies of composition, national identity, transmission, reception, sources, media, iconography, humanism, the art of collecting, theory, analysis, commerce, singers, directors, criticism, editions, politics, staging, race, and gender. The title of the penultimate section, Opera on the Edge, suggests the uncertainty of opera's future: is opera headed toward catastrophe or have social and musical developments of the last hundred years stimulated something new and exciting, and, well, operatic? In an epilogue to the volume, a contemporary opera composer speaks candidly about opera composition today. The Oxford Handbook of Opera is an essential companion to scholars, educators, advanced students, performers, and knowledgeable listeners: those who simply love opera.


Author : Simon Williams
Publisher : Cambridge University Press
Release : 2004-06-24
Page :
Category : Music
ISBN 13 : 9781139451666
Description :


Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explores the reasons for this adulation and antipathy by examining an aspect that may be a fundamental cause for this radical division in the reception of Wagner's work, the phenomenon of heroism. Williams analyses this heroism as a function of Wagner's theatre and music, beginning with a definition and examination of the concept of the heroic. The book also discusses all thirteen stage works by Wagner and the phenomenon of heroism and Wagner's adaptation of the figure of the Romantic hero. Williams offers a theatrical, musical, and cultural re-evaluation of one of the most enduring figures in the arts.


Author : Raymond Furness
Publisher : Reaktion Books
Release : 2013-07-15
Page : 224
Category : Biography & Autobiography
ISBN 13 : 1780232233
Description :


With their complex textures, rich harmonies, and elaborate use of leitmotifs, the operas of German composer Richard Wagner (1813–83) remain some of the most influential—and contentious—in the history of the genre. But while he won renown with what he achieved on the stage, his life was marked by political exile, turbulent love affairs, and poverty. And because Wagner and his music are exceedingly intertwined with the great upheavals of his time, it is difficult to produce an impartial assessment of his output. Appearing at the bicentennial of his birth, Richard Wagner provides a clear and balanced view of both Wagner’s great successes and the controversies generated by his life and art. Using Wagner’s wide-ranging engagement with mythology as a starting point, Raymond Furness explores the composer’s music and prose writings. He delves deeply into Wagner’s essential operas, such as The Ring and Tristan and Isolde, offering fascinating insight into these works. Because the great operatic pieces often overshadow the rest of Wagner’s compositions, Furness also considers neglected fragments like “Wieland the Smith,” “The Mines at Falun,” and “The Visitors,” producing a more rounded critical picture of the composer. With up-to-date dissections of recent Bayreuth productions and a refreshingly uncluttered approach to a much-misunderstood life, Richard Wagner is an engaging look at one of music’s most beguiling figures.


Author : Simon Williams
Publisher : Praeger
Release : 1994
Page : 181
Category : Performing Arts
ISBN 13 : 9780313274350
Description :


Here is Wagner as an important figure in the development of the theatre, in particular, the founding of the Bayreuth Festival, which established the paradigm for all modern theatre and music festivals.


Author : Susan Jones
Publisher : OUP Oxford
Release : 2013-08-01
Page : 352
Category : Literary Criticism
ISBN 13 : 0191009431
Description :


This book explores the complex relationship between literature and dance in the era of modernism. During this period an unprecedented dialogue between the two art forms took place, based on a common aesthetics initiated by contemporary discussions of the body and gender, language, formal experimentation, primitivism, anthropology, and modern technologies such as photography, film, and mechanisation. The book traces the origins of this relationship to the philosophical antecedents of modernism in the nineteenth century and examines experimentation in both art forms. The book investigates dance's impact on the modernists' critique of language and shows the importance to writers of choreographic innovations by dancers of the fin de siècle, of the Ballets Russes, and of European and American experimentalists in non-balletic forms of modern dance. A reciprocal relationship occurs with choreographic use of literary text. Dance and literature meet at this time at the site of formal experiments in narrative, drama, and poetics, and their relationship contributes to common aesthetic modes such as symbolism, primitivism, expressionism, and constructivism. Focussing on the first half of the twentieth century, the book locates these transactions in a transatlantic field, giving weight to both European and American contexts and illustrating the importance of dance as a conduit of modernist preoccupations in Europe and the US through patterns of influence and exchange. Chapters explore the close interrelationships of writers and choreographers of this period including Mallarmé, Nietzsche, Yeats, Conrad, Woolf, Lawrence, Pound, Eliot, and Beckett, Fuller, Duncan, Fokine, Nijinsky, Massine, Nijinska, Balanchine, Tudor, Laban, Wigman, Graham, and Humphrey, and recover radical experiments by neglected writers and choreographers from David Garnett and Esther Forbes to Andrée Howard and Oskar Schlemmer.


Author :
Publisher :
Release : 2006
Page :
Category : Music
ISBN 13 :
Description :



Author : Richard C. Beacham
Publisher : Routledge
Release : 2014-03-18
Page : 324
Category : Performing Arts
ISBN 13 : 1134356188
Description :


First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.


Author : Dr James Kennaway
Publisher : Ashgate Publishing, Ltd.
Release : 2012-08-01
Page : 226
Category : Music
ISBN 13 : 1409456218
Description :


Music has been used as a cure for disease since as far back as King David's lyre, but the notion that it might be a serious cause of mental and physical illness was rare until the late eighteenth century. At that time, physicians started to argue that excessive music, or the wrong kind of music, could over-stimulate a vulnerable nervous system, leading to illness, immorality and even death. Since then there have been successive waves of moral panics about supposed epidemics of musical nervousness, caused by everything from Wagner to jazz and rock 'n' roll. It was this medical and critical debate that provided the psychiatric rhetoric of "degenerate music" that was the rationale for the persecution of musicians in Nazi Germany and the Soviet Union. By the 1950s, the focus of medical anxiety about music shifted to the idea that "musical brainwashing" and "subliminal messages" could strain the nerves and lead to mind control, mental illness and suicide. More recently, the prevalence of sonic weapons and the use of music in torture in the so-called War on Terror have both made the subject of music that is bad for the health worryingly topical. This book outlines and explains the development of this idea of pathological music from the Enlightenment until the present day, providing an original contribution to the history of medicine, music and the body.


Author : Robert Cannon
Publisher : Cambridge University Press
Release : 2012-02-16
Page : 431
Category : Music
ISBN 13 : 0521763029
Description :


Perfect for music students and opera-goers, this book investigates what opera is, how it works and how it has developed.


Author : Richard C. Beacham
Publisher : Routledge
Release : 2014-03-18
Page : 324
Category : Performing Arts
ISBN 13 : 1134356250
Description :


First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.


Author : M. Owen Lee
Publisher : University of Toronto Press
Release : 2003-01-01
Page : 110
Category : Music
ISBN 13 : 9780802085801
Description :


Richard Wagner's knowledge of and passion for Greek drama was so profound that for Friedrich Nietzsche, Wagner was Aeschylus come alive again. Surprisingly little has been written about the pervasive influence of classical Greece on the quintessentially German master. In this elegant and masterfully argued book, renowned opera critic Father Owen Lee describes for the contemporary reader what it might have been like to witness a dramatic performance of Aeschylus in the theatre of Dionysus in Athens in the fifth century B.C. – something that Wagner himself undertook to do on several occasions, imagining a performance of The Oresteia in his mind, reading it aloud to his friends, providing his own commentary, and relating the Greek classic drama to his own romantic view. Father Lee also uses Wagner's writings on Greece and entries from his wife's diaries to cast new light on Tristan und Isolde, Die Meistersinger, Parsifal, and especially the mighty Ring cycle, where Wagner made extensive use of Greek elements to give structural unity and dramatic credibility to his Nordic and Germanic myths. No opera fan, argues Father Lee, can really understand Wagner saving Brünhilde without knowing the Athena who, in Greek drama, first brought justice to Athens. Written with a clarity and depth of knowledge that have characterized all Father Lee's books on the classics of Greece and Rome and made his six other volumes of opera bestsellers, Athena Sings traces the profound influence – an influence few music lovers are aware of – that Greek theatre and culture had on the most German of composers and his revolutionary musical dramas.


Author : Richard Wagner
Publisher : U of Nebraska Press
Release : 1994-01-01
Page : 376
Category : Art
ISBN 13 : 9780803297647
Description :


"One might say that where Religion becomes artificial, it is reserved for Art to save the spirit of religion." With these words Richard Wagner began "Religion and Art" (1880), one of his most passionate essays. That passion made Wagner himself a central icon in the growing cult of art. Wagner felt that he lived in an age of spiritual crisis. "It can but rouse our apprehension, to see the progress of the art-of-war departing from the springs of moral force, and turning more and more to the mechanical," he wrote. In response to the frightening progress of dynamite and steel, Wagner adopted the role of the Tone Poet Seer, who reveals the inexpressible in concert halls and cleanses souls in waves of symhonic revelation. "Religion and Art" is the pivot of the works collected here. Also included are his defining essays "Public and Popularity" and "The Public in Time and Space"; his papers relating to the creation of the Bayreuth School; his complaint against publishers, "On Poetry and Composition" (1879); his article on the first production of Parsifal (1882); and other works that speak his mind about strengthening the spirit through music. These works participated in the duel between Wagner and Nietzsche that ensued after the breakup of their friendship in 1878. Nietzsche publicly called Wagner an incurable romantic, emphasizing how sick he thought both Wagner and his art were. Here Wagner counterattacks with arch innuendo and sarcasm. This edition includes the complete volume 6 of the 1897 translation of Wagner's works commissioned by the London Wagner Society. William Ashton Ellis is one of the most important translators of nineteenth-century musicology. In addition to his monumental translation of Wagner's prose works, he translated Wagner's correspondence with Franz Lizst, Mathilde Wesendonck, and Wagner's own family. Ellis died in 1919.


Author : Richard Wagner
Publisher : U of Nebraska Press
Release : 1995-01-01
Page : 415
Category : Art
ISBN 13 : 9780803297746
Description :


A master of mystery and paradox, Wagner spent his life composing himself while composing music. Written between 1864 and 1878, the essays in Art and Politics converge upon Wagner?s desire to define and reform German culture. He was deeply annoyed that Germany seemed to satisfy itself with cheap theater, vulgar songs, and clumsy imitations of French art. In ?What Is German?? he declared that German culture must rise above the common ruck. Citing ?Music?s wonderman? Johann Sebastian Bach as his precursor, Wagner fought to persuade his readers that German culture had a historic destiny, and that destiny was shaped first and foremost by music. ø As usual, embroiled in the defense of his operas and his person, Wagner recognized that his rescue from attack and poverty could not be expected from ?Franco-Judaico-German democracy.? He instead fixed his hopes elsewhere: ?the embodied voucher? for fundamental law, the Monarch. He found himself at a turning point in his career. In 1864 King Ludwig II of Bavaria befriended Wagner and gave him badly needed financial support. This alliance aroused Wagner?s enemies into further fits of jealousy. Yet, amid the public scorn, he worked on the production of Tristan und Isolde, drafted the libretto for Parsifal, and composed sections of Siegfried and Die Meistersinger. ø In these essays Wagner resumes his considerations of the close ties between religion and art. He calls art ?the kindly Life-saviour who does not really and wholly lead us out beyond this life, but, within it, lifts us up above it and shews it as itself a game of play.? These essays express his artistic credo and the knowledge of German literature that underpinned his claims for German genius. Following his ideals, he proclaimed his intention to raise the quality of German opera, by himself if necessary. ø This edition includes the full text of volume 4 of the translation of Wagner?s works commissioned in 1895 by the London Wagner Society.